![]() ![]() This is typical in lo-fi hip hop, but you can experiment with other patterns to mix things up. ![]() The kick and the snare usually are quantized (or close) to the grid, and the second kick for every bar is featured on the offbeat. If you’re in another DAW like FL Studio, simply record the audio into Edison and drop it back into the arrangement. Once you’re done, freeze and flatten the audio (right-click on the track and select freeze, wait and then select flatten). If you struggle with writing chords, check out Connor’s article. It can be as long as you want, but lo-fi hip hop typically features shorter loops that repeat throughout. Sketch out some chords over about 4 bars. Once you’ve got a suitable sound, create a new clip. If you’re in Ableton, there is a nice variety of ePiano and Rhodes-type instruments that work nicely.įL Studio additionally has FL Keys with a decent Rhodes preset. In the video, I went for a Rhodes/keyboard type sound. So find a sound that suits the vibe of the track you are going for. In this example, I’m going to write my own and resample it to show you both workflows. But you can also just write your own progression. So when it comes to lo-fi hip hop, sampling chords and melodies is commonplace, especially from old funk and jazz records. Once you’re ready, let’s begin with step 1. Prepare your project file by setting the BPM between ~70-100 and by making sure you have all your sounds at hand. So take a few minutes to prepare yourself before just jumping into the studio – you’ll thank me later. One thing that helps me write in this genre is getting into a specific headspace before, by recalling a memory from my past or introducing some nostalgia.īeing in this frame of mind will help guide the creativity in the production process, but make it suited to your workflow and specific situation. One thing I mention in the video is that lo-fi hip hop is quite a moody genre and is designed to have that effect on the listener. ![]() If you after something more introductory, then check out our electronic music guide. Version 1.2.1 on MacBook Pro with Catalina (10.15.Note: this isn’t a beginner’s tutorial. Actual behaviorĬrackly and distorted version of sound starts once you start playing the second note, sounds kind of like the blades of a helicopter annoyingly superimposed on the sounds you actually want. I expected that I would then just hear both notes playing simultaneously, with each of their sounds not being crackly or otherwise modified from what it would be by itself. Then you can try to play a note on the piano by holding down the corresponding key on the computer, and then start holding down a different note. Open the default interface for recording that comes up when you first download and open LMMS.Īmong the several windows you can then see is the Triple Oscillator window, which you can open by clicking the button of that name in the Song Editor window. I've tried fiddling around with a bunch of the settings in the Oscillator window, but this doesn't seem to help. holding one note down and then playing another), I get a really annoying crackling sound once I start playing the second note. Whenever I try to play any combination of notes on the Triple Oscillator (i.e.
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